Claire Connolly is a figurative and social practice artist living and working in Buffalo, New York. After childbearing precipitated a personal crisis, she became inspired to invoke a world that respects the beautiful, anti-patriarchal mysteries surrounding stagnation, defeat and everyday chaos. She sees her affinity for creating realistic oil paintings—an act which makes her feel alive—as a useful tool in her quest to co-discover such subterranean matter with her neighbors.

As a former high-end design manager who acquired artistic commodities for clients, she approaches her work with a measure of institutional critique. As a trained art teacher, her mission rests on a core belief that intuitive critical thinking is a natural aspect of human behavior. Connolly’s practice is as much about protecting space for members of the general public to cultivate their artistic voices, as it is about producing art herself.

In March 2025, she was honored as a "Woman Cementing History" by She Connects Hub in partnership with the Buffalo History Museum. She was awarded the Creative Impact Fund (2025) for a series of oil paintings and run of workshops entitled Direct Message—a project that engages her community around poetry. She was selected to participate in Hertel Alley Mural Fest (2025), at which she created Queen City, a self/Buffalo portrait. She received The Creative Impact Fund (2024), and the Mellon Foundation’s Communities of Care Artist Grant through the University at Buffalo (2024) for See Me Bearing, a reimagining of visual culture which centers The Childbearer archetype.